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© 2022, Application, may contain information not intended for minors

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2025
By Mer Film

In a fairy-tale kingdom where beauty is a brutal business, Elvira battles to compete with her incredibly beautiful stepsister, and she will go to any length to catch the prince’s eye.

  • Horror
  • Comedy
  • Fantasy
  • Drama

Crew

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    Peter Hjorth

    VFX Supervisor

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    Mariusz Włodarski

    Co-Producer

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    Manon Rasmussen

    Costume Design

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    Maria Ekerhovd

    Producer

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    Theis Nørgaard

    Co-Producer

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    Lizette Jonjic

    Co-Producer

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    Marcel Zyskind

    Editor

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    Emilie Blichfeldt

    Writer

Top cast

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    Lea Myren

    Elvira

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    Ane Dahl Torp

    Rebekka

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    Thea Sofie Loch Næss

    Agnes

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    Flo Fagerli

    Alma

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    Isac Calmroth

    Prince Julian

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    Malte Gårdinger

    Isak

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    Ralph Carlsson

    Otto

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    Cecilia Forss

    Sophie von Kronenberg

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    Katarzyna Herman

    Madam Vanja

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    Adam Lundgren

    Dr. Esthétique

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    Willy Ramnek Petri

    Frederik von Bluckfish

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    Kyrre Hellum

    Jan

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    Isac Aspberg

    Finsmakeren

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    Albin Weidenbladh

    Alteteren

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    Oksana Czerkasyna

    Kokk

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    Richard Forsgren

    Hovmester

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    Paweł Janyst

    Bankmann

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    Piotr Czarnecki

    Grensevankt

Reviews

CinemaSerf

7/3/2025

Now I don’t suppose you’d have kicked “Prince Julian” (Isac Calmroth) out of bed for eating herring, but right from the start this apple of everyone’s eye looks distinctly dull! I’m not sure that the besotted “Elvira” (Lea Myren) realised that when she embarked on quite a tortuous make-over to turn her chubby and buck-toothed body into something that might turn the head of this royal highness, but needs must when the debt collectors are circling. This is probably the most grotesque take on the “Cinderella” story you are ever like to see, as it pretty graphically shows the life of this young girl, her stepsister, her mother and her downright cruel Svengali who thinks nothing of stitching her eyelids on or rearranging her teeth - without, of course, any anaesthetic. Where this also drifts away from the more traditional approach is the venality of the whole thing. “Elvira” is certainly a victim of greed, but it’s more a sort of uneducated and vulgar kind from her guardian rather than anything more spiteful or hateful. Moot point? Well, not really as in the end it is actually quite difficult to actually loathe this family desperate to climb the silky pole. I almost felt sorry for all of them. It’s gory, there’s a fair smattering of sex and our princeling can even turn his hand to poetry - though not the stuff that Yeats might have to worry about. The production has been eerily and effectively crafted with plenty of detail in the settings and costumes, and the overall message of style over substance and social and sexual conformity is writ large throughout. It turns out that there are more ways than one to get your foot in that slipper, and not all of this will be for the squeamish. I enjoyed this dark, occasionally comedic and poignant look at just what we’ll do to for love, lust and lucre.