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© 2022, Application, may contain information not intended for minors

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2022
By Born to Burn Films

A noir thriller set in Miami, the film follows an enforcer who discovers his femme fatale boss has branched out into cyber sex trafficking, putting a young runaway he’s befriended at risk. He sacrifices everything to save the young girl from the deadly organization he’s spent his life building.

  • Action
  • Crime
  • Drama

Crew

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    Richard Hughes

    Director

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    Natalie Burn

    Producer

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    Rob Van Norden

    Producer

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    Ryan Svendsen

    Music Supervisor

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    W. Peter Iliff

    Writer

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    Jeffrey Greenstein

    Producer

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    Les Weldon

    Producer

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    Irina Kotcheva

    Costume Design

Top cast

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    Antonio Banderas

    Cuda

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    Kate Bosworth

    Estelle

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    Mojean Aria

    Stray

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    Alexis Ren

    Lexus

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    Zolee Griggs

    Billie

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    2 Chainz

    Freddie

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    Aaron Cohen

    Joe

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    Natalie Burn

    Olivia

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    Mark Rhino Smith

    Doom

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    Luke Bouchier

    Paycheck

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    Kika Georgiou

    Medina

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    Kostas Sommer

    Ronnie

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    Christos Vasilopoulos

    Silvio

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    Vivian Milkova

    Lola

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    Lucia McKinstry Calvo

    Katie

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    Eleftheria Giovanaki

    Margot

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    Giannis Zoumpandis

    Eric

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    Nikos Thomas

    Henchman

Reviews

CinemaSerf

1/7/2023

Now Jason Statham (and Bruce Willis) have made some dross in their time, but somehow I never quite expected Antonio Banderas to have to eke out a living doing the same kind of derivate action drama. Well here he is "Cuda" (as in Barracuda!) who is charged by mobster "Estelle" (Kate Bosworth) to lick yard-fighter "Stray" (Mojean Aria) into shape so he can help him collect her tributes - from an increasingly independently-minded bunch of cyber-sex affiliates. What follows now is an amalgam of cheap and cheerful thriller and romance as both men find their attentions drawn to young women (for completely different reasons) who are going to have a profound impact on just about everybody's lives. It's terribly over-scripted with the ending - much like the rest of it - being pretty risible and leaving the whole film resembling an assembly of cutting room out-takes from numerous other similarly high budget, low quality, productions. It's only ninety minutes, so that's a blessing - but why this is on general release anywhere is anyone's guess. I can assure you that it's not worth paying to see.